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THE EYE, WATCHING YOU, WATCHING IT
Using thick oils to mould and sculpt the scene, Carrick Siddell's take on Brum's space station of a welcome depicts a gloomy day with luminosity, texture and depth. One of a series of works Siddell has completed to record the city right now, Stephenson Street's trams have also warranted a piece, as has the novel reflections that the completion of New Street's bulbous shell has created. Painted at eye level, there's something very familiar about the works, while the Sutton Coldfield based artist's focus on changing light and shadows brings with it a ballsy brightness to every day scenes. Carrick's series is being exhibited at Purple Gallery's Autumn Exhibition, which launched on Saturday and runs through to October. The piece pictured is yours for £895, or can be secured via instalments through the Own Art Scheme, which is rather nice.
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FILM: THE SHALLOWS
It may not have been a banner summer for blockbusters, but as the season winds down, we’ve been blessed with this deeply enjoyable and likably unpretentious B-movie. Blake Lively, after some cursory character development, finds herself alone on a rock in an isolated Mexican cove – with a hungry shark circling, waiting for her to make one mistake. Shark attacks aren’t exactly new cinematic territory, but director Jaume Collet-Sera – who made Run All Night, one of the better entries in the Neesoniad – finds new ways to shoot them that are legit terrifying, and Lively makes for an appealingly resourceful heroine. A streamlined no-frills all-thrills ride, this is a lesson for its more bloated competition that less is often more.
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GLASS, WIND AND FIRE
It's not the sinister bit from a Bond film, it's not a new-fangled kind of waxing regiment, and it's not a propane-based pop-up. It is an other worldly performance with fire, music and glass blowing (of course), showing live for the first time in England, in Brum. Torcher Chamber Arkestra consists of glass artist Carrie Fertig, composer Alistair MacDonald and percussionist Stu Brown. And you're totally allowed to have a go on the instruments Fertig will make during the production using a process of flameworking with fire, as well as move around throughout the unseated show. Turning mac Birmingham all mesmerising and tribal like on 2 & 3 September, tickets are £12, with an autism friendly performance on the Saturday at 2pm.
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