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MOVIE OF THE WEEK: TRAINWRECK
The first half of 2015 squarely belonged to Amy Schumer, so it’s not a shock that her debut as a screenwriter and lead is staggeringly assured. Comedy supremo Judd ‘Knocked Up’ Apatow, directing here, knows a good thing when he sees it, so he steps back so Schumer can take the creative reins, and she delivers on all her promise and then some. It’s the story of a New York magazine journalist (Schumer, of course) who merrily flits from bed to bed and doesn’t so much dodge commitment as hit it in the head with a spanner, and how she might just find lasting love with Bill Hader’s nerdy doctor. So far, so routine romcom. But Schumer’s way with a salty gag, her chemistry with Hader, and some inspired riffs off golden-era Woody Allen mean you’re never far off from a deeply satisfying belly laugh.
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NEW ART: DARK, YOUNG
AND POINTY
Getting a break in the creative sphere is a notoriously troublesome pastime. It's smile-making, then, to hear that Birmingham-based Washington Green Fine Art has announced the shortlist for the clunkily-named IN:SIGHT 2015, its campaign to cultivate the next big dawg of the visual arts world. One of the youngest artists to prove worthy of the cut is 23-year-old Hope Chapman, who settled in Brum after completing her studies at the Margaret School of Art. Working in Pitt ink pen on paper, Hope creates detailed pointillism (apparently not a made-up word) portraits of models photographed by the late fashion photographer, Helmut Newton. Along with two other pieces, her recent work, Paris Vogue '78 (pictured), features as part of the Summer Exhibition at the Castle Gallery until the end of the month.
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