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BAO DOWN TO BONEHEAD
Two of the biggest openings of 2018 are dipping their perfectly independent toes in the wonderful world of the collab this weekend. From 2pm on Friday, find Brum's best baos by Tiger Bites Pig, with fried chicken by Bonehead, at Bonehead. The "Bao-chicka-wow-wow" also comes with fermented tofu mayo, Sichuan pepper and ginger salt and pickled mustard greens, all served with a chicken stock dipping pot and fermented chilli sauce. We know. Two baos per portion (£10). 25 servings only on Friday and Saturday.
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LATE NIGHT LEO
The Edwardian Tea Rooms at BMAG are putting on a late nighter in Leo Da Vinci's honour, giving ticket holders a crowd-less gander at his brilliance. As well as getting dinner, the bar will be open all night — which is what he would have wanted, plus you'll be taking in A Life in Drawing, a national sketch-focused exhibition of what must have been casual doodles to him, but are gobsmacking works of genius to us mere mortals. He was mortal of course, dying 500 years ago of a stroke, hence this entire celebration. April 6, £30.
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WAR, WHAT IS IT GOOD FOR?
The Armed Forces and dance may seem to go together like chalk and a particularly chalky cheese, but in an exploration of war’s effect on the human body, acclaimed choreographer Rosie Kay brought the battle to the small stage in Brum-born 5 Soldiers. A decade later, a bigger, updated version, 10 Soldiers, does a victory march into the main auditorium of the Hippodrome. Intense, athletic dance theatre is what you should expect in a show that deals with the demands on soldiers' physical and psychological well-being for an incredibly affecting experience. On May 21, tickets are from £15. Or be one of the 120 who will put on a pre-performance to mark the 120th anniversary of the Hippodrome, and your seat is free. More
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FILM PICK: BEN IS BACK
With this, and the recent, tonally similar Beautiful Boy, America’s initial cultural response to its disastrous opioid epidemic seems to be primarily shock and horror that, yes, even middle-class white people can fall prey to addiction. That’s a cheap shot, as both these films mean well. Ben Is Back edges it, however, thanks to a commanding performance from Julia Roberts as a mother wondering just how permanent her son’s recovery is. Lucas Hedges is on strong form, too, as the son in question. This won’t have you rolling in the aisles, and it’s on less steady ground when it move from the domestic space to a pretty limply realised drug underworld, but there’s more than enough here to make you remember just how great Roberts is. Times
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